Thursday, 11 August 2016

What's happening August 2016

Recently I was working away again, and took up my main guitar.  Managed to get a lot of playing in, nothing new, just practise on the old stuff.  This turned out to be fortuitous; when I came back Glenn at Cafe Chicchi got in contact with me and I've been playing out there around every two weeks.  It's great to be out there playing and chatting to patrons again.  If you are ever in the Mount Claremont area, check on their webpage if I'm playing on the weekend, and stop by.  https://www.facebook.com/DeliChicchi/ Make sure you say hello!

I still have "The Chain" to record, I need to get the motivation to get on with it.  When you aren't recording, it gets easier to keep not recording.  If you know what I mean.  Great song, I've done a pretty good job with it if I do say so myself, I'm looking to get it out to you.

I also need to finish making my little guitar USBs.  Did I mention it to you?  I get asked from time to time "where's your CD?" Well, CDs are pretty olde school, I decided I could do better than that, so I bought a batch of USB sticks in the shape of a little classical guitar.  They were around $5 each, 8GB flash, they are a very cool shape although it would have been better if they were hard plastic rather than flexible plastic, but no matter.  I plan on filling them with all my MP3s, sheet music, videos, lessons, and anything else I've ever created.  Most of it is available here, but not the raw videos, so you are getting something you can't normally get.

I was thinking $20 each, and the offer that if you ever see me again, I will swap it with the latest revision.  Each time I make new stuff I will update it.  And I will sign/initial each one.  And you get to talk to me when buying it! :-)

JAW


Monday, 6 June 2016

Why Can't This Be Blog?

Not much activity recently but two songs are ready to record - Shine and The Chain.  Pretty happy with both; I'm going to get my wife or daughter to do the recording rather than just tripod up a fixed camera position.  So:
  • Record video from varying changing angles, doing a few play throughs,
  • Record an audio track through condenser microphone in a separate session,
  • Punch out errors in audio track for a nice'n'clean('n'fake) "studio" recording,
  • Chop and paste video bits from my favourite angles to match the studio recording.
So it's more of a "music video" for the song than a recording of me playing the song.  If you know what I mean.  I did it previously for Get Back and I reckon that is one of my more memorable videos of recent times.  Next time I will go hand held camera rather than various fixed position angles, seems to have been a popular style of videography for a while.

Meanwhile, true to form, I stumbled across another song "I just had to do".  Van Halen, "Why Can't This Be Love", classic 1986 right when I was into popular music.  During the late 90's I made my engineering team listen to this song non-stop for about 2 hours during a pretty intense phase of a project, partly because I still loved the song, partly because when I pressed stop they would realise that intense work is better then intense work + non stop Van Halen, and partly because of the bestest stupidest line in a song ever: "Only time will tell if we stand the test of time."

First song after Lee Roth left, by Sammy Hagar.  I've still got the bridge to finalise but the rest is mostly done, just gotta get it playing cleaner.  Here is me Hagar'ing it:


Enjoy!
JAW

Thursday, 3 March 2016

Shine with three point lighting

Heh, I had to giggle at that title.

I recorded a video tutorial on a song I'm working on, Collective Soul "Shine". I can play it well enough to do a tutorial. I also recorded it using my new three point lighting system that I purchased from ebay late last year for around $AUD150 (2015). I had been looking for an excuse to use it. All my videos for too long have had bad lighting. Well no more!

Definitely an improvement, but more learning required. Firstly, don't position the light so that it reflects off the guitar into the camera. Try not to have such a blotchy red face. Don't illuminate the solar panel on top of my head too much. Oh well, can't help much of that. Makeup? Nah, that's going too far.

Here's a photo of my set up. In a room currently full of junk, I was using a backdrop but it wasn't flat enough and was catching shadows so I stuck with the wall. Things to note:

  • Rear upper light
  • Key light (brighter) on my left as I sat
  • Fill light on my right (dimmer).
  • Camera in front of me and a mirror behind it (camera doesn't have a forward LCD).
  • Zoom H1 mic on small grey tripod. 
  • Dog wondering what I was doing.



Now as for the video, I've kept it shorter than my usual waffle and just got on with it. Enjoy some gen-u-ine Aussie accent. Look it's a great song, give it a crack. Why have I hit the grunge? Dunno, but it is the second grunge song I've done recently.

Here's the video, tab in ASCII follows. I will post the pdf when I get the song recorded for real. Enjoy!


|-0h2-2-2-2-2-2-0-|---------------|-0h2-2-2-2-2-2-5-|--------0-0-2-2--|
|-3-------3-------|--3-3---3--3-3-|-3-------3-------|--3-3-3-3-3-3-3--|
|-2-------2-------|------2-2--2-2-|-2-------2-------|----2-2-2-2-2-2--|
|-0-----------0-0-|---------------|-0-----------0-0-|-----------------|
|-----------------|---------------|-----------------|-----------------|
|-----------------|---------------|-----------------|-----------------|

|-0-----------|-----------0---2---|-0-----------|-------------------|
|------3------|-------3-----------|------3------|-------------------|
|------0------|-------------------|-------------|-------------------|
|------2------|-------------------|-------------|-------------------|
|-3----3p0h=3-|-(3)p0-3p0-3p0-3p0-|-------------|-------5---5---5---|
|-------------|-------------------|-5----5p0h=5-|-(5)p0h5p0h5p0h5p0-|

|----------------|-------------------|----------------|----------------|
|----------------|--------------1s3--|----------------|----------------|
|----------------|-------------------|----------------|----------------|
|-0--0-0-3-0-0-3-|-(3)-0-3-0-5-------|-0--0-0-3-0-0-3-|-0-0-3-0-5--6---|
|-0--0-0-3-0-0-3-|-(3)-0-3-0-5-------|-0--0-0-3-0-0-3-|-0-0-3-0-5--6---|
|-0--0-0-3-0-0-3-|-(3)-0-3-0-5-------|-0--0-0-3-0-0-3-|-0-0-3-0-5--6---|

|-3----3-3-0---|-----------------|-2--2--2----2-|-2-2-2-2-5-5-5-5-|
|-1----1-----2s|==3---3--3-3-3-3-|-3--3--3----3-|-3-3-3-3-3-3-3-3-|
|-0----0-----0-|-(0)-----0-------|-------2----2-|-2-2-2-2-2-2-2-2-|
|-2------------|---------0-------|--------------|-----------------|
|-3----------4s|==5--------------|--------------|-----------------|
|------------4s|==5----------5-5-|-0--------0---|---------0-------|

|-5--------5-5-5-|-5--------------|-0-0-0-0-0-0-0-0-|-0-2---2---5-5-5-|
|---3--3---------|---3--3---------|---3-3-3---3-3-3-|-----3---3-3-3-3-|
|----------------|----------0-0-0-|-----2-------2---|-----2---2-2-2-2-|
|----------------|----------------|-----------------|-----------------|
|-3------3-------|----------------|-----------------|-----------------|
|----------------|-5------5-------|-0-------0-------|-0---------------|

|-3--3----3-3-3-|---------------|-5-0------------|-5-0------------|
|-1--1----1-1-1-|-3--3----3-3-3-|------3---3-3-3-|------3---3-3-3-|
|-0--0----0-0-0-|-0--0----0-0-0-|------2---2-2-2-|------2---2-2-2-|
|---------------|-0--0----0-0-0-|----------------|----------------|
|-3-----3-------|---------------|----------------|----------------|
|---------------|-5-----5-------|-0------0-------|-0------0-------|

Wednesday, 17 February 2016

What's happening February 2016

I have been doing hand and wrist stretching for around a month now, and apart for pushing the stretches too far on one occasion it has been great.  My pinky pain has gone away and I have found that the fingering that was previously causing me issues is not causing such a problem anymore.  I'm recommending that we all do hand and wrist stretches.  Don't push too far, and don't stretch when your hands are cold and stiff.  There are plenty of good videos on YouTube about it, my personal favourites are pushing your hands back at the wrist, and stretching your fingers apart.

I'm working on three arrangements again, it always ends up being three, I don't know why. "The Chain" is basicaly done, ready to be recorded.  I saw Kel Valleau do "Smells like Teen Spirit" on YouTube a while back, as always he did a great job.  Was enough to inspire me to have a crack.  I remember that song back in the day, one of the guys I worked with at the time loved singing it.

What inspired me about "Smells like Teen Spirit" was that it is only a few phrases to learn but they looked quite challenging. I've also basically finished with it and am ready to record a video. I reckon I'll write a post about it sometime soon, it's worthy of a story.

While practising it, my wife remembered another grunge song from the era which we both liked, Collective Soul "Shine" which sparked an interest in me.  I didn't notice any existing fingerstyle arrangements of it so I had a quick crack based on some tabs I found.  As with any fingerstyle arrangement adding the melody line is the trick.  And as I've found before, pushing all the music back down to open chords helps, and this particular song suits Drop D tuning.  I still really enjoy Drop D tuning.

And grunge, ha ha, what a style of music :-)

Meanwhile, I am gigging again, at a cafe in Mt Claremont in my home town of Western Australia.  Great to be back out there,  Since I've been away for so long I have found my performance anxiety levels are back to high, and my tunes were rusty.  I played a demo a week back and played a proper session over the weekend.

Perfect crowd for me, correct age group. I love it when I ask if anyone has a band request, and I happen to have a song from that band in my setlist! I kept playing even when there wasn't so many people and they weren't as engaged. I played songs I was very rusty with, which made it a good practise session too.

I ended up playing more or less non stop for about 2 and half hours.  Longer than I should have, but I wasn't experiencing pain or discomfort so why not.  Towards the end I was starting to drop notes and my hands were getting too sweaty so I knew it was time to stop.  I always carry a clean cotton rag to wipe the sweat off my hands and fretboard from time to time while playing, which is a good tip I came across a while back.  Even wiping the strings after playing, the amount of sweat and oil I had added during the session really deadened them.  Later in the week the bass strings were still very dead, so I took them off and gave them a clean, and restrung them backwards.  Another good tip I came across - reversing them gets the fret wear on the other end, exposes a bit more unplayed string and brightens them up.

At the end of my set the cafe owner pressed some folding currency into my hand, I look forward to the next!

JAW

Sunday, 24 January 2016

D'Addario EJ45FF strings

A few months ago when stocking up on strings (I'm sorry Local Music Shop, but I buy my strings online, because I always get exactly what I want and it is half the price even with delivery) I noticed my normal string of choice - D'Addario EJ45 - now come in a "Carbon" version. I finally wound them on and observed a few points:
  • The trebles are transparent. For some reason I thought they be non-transparent!
  • The trebles are thinner. In fact the 3rd string is about the same thickness as a normal 2nd string. But then on the basses, the 4th string is a tiny bit thinner, the 6th string is a tiny bit thicker, neither enough to notice, the 5th string remains the same:
String     | Nylon  | Carbon
1st string | 0.71mm | 0.61mm
2nd string | 0.82mm | 0.69mm
3rd string | 1.02mm | 0.84mm
4th string | 0.74mm | 0.71mm
5th string | 0.89mm | 0.89mm
6th string | 1.09mm | 1.12mm
  • The thinner trebles are noticeable, but did not cause me any issues.
  • The trebles a brighter tone than nylon. Note the "carbon" in carbon strings means that the filament is made from fluorocarbon, which is essentially a hydrocarbon where all the hydrogens have been replaced with Fluorine. The Carbon-Fluorine bond is apparently the second strongest bond known next to Silicone-Fluorine. Interesting. Nylon on the other hand is a synthetic long-chain polymer which makes more sense as a fibre, but we've just run out of my chemistry knowledge.
  • The basses are about the same tone as the standard EJ45's. Maybe slightly brighter, hard to say, you'd have to do a control test.
  • The trebles feel "silkier", maybe "slipperier" might even be a better way to describe them. The basses have the same touch and feel as nylon wound, I didn't detect any difference.
  • The trebles bedded in faster than nylon, as in, they stopped stretching and held their tune[1] in less time. The basses maybe the same too, I find the nylon wound basses bed in reasonably quickly anyway. Note that I have been re-stringing the same way for a while - basses one twist at the bridge, 2nd/3rd treble two twists, 1st treble three twists. At the tuner I pull the string tight and loop it over itself so a minimum amount of turns to reach tune. This has always been the best way to get a fast bed-in for me.
  • The tone lasted long enough, not double the time considering the double the price.
I played a few long gigs on this set of strings which deadened them quicker than if they were just in a practise rotation.  So the dynacore basses have a slightly better tone than the standard basses, and the tone hangs in there a little bit longer.  The carbon trebles have a nice bright tone that lasts but over time I found I disliked the thinner strings.  Will I use them again?  No, but in the future I will try the "dynacore" and the EXP coated sets. There's a web page showing all the D'Addario string variants here http://www.daddario.com/DADProductsClassical.Page
[1] No classical guitar ever holds its tune. Just you holding the guitar for a few minutes is enough to put a bit of body heat into it which changes the tuning...which you re-tune compensate...and then when done pack away...and then next time it is out of tune again because it is cold again...

JAW