Saturday 3 February 2018

Cello Bridge Carving

I've got my youngest daughter on a secondhand cheap 3/4 cello. The bridge had warped, and it started falling over from time to time. Getting a new bridge fitted by a music shop was going to be maybe half the value of the cello, and besides, getting someone else to do the job isn't very JAW-like, so I took on the job myself.

Some internet search revealed that you could straighten a warped bridge by steaming over a stove for a long time, clamping back in a straight position, and letting it dry. I called that Plan B. Plan A was to buy a bridge blank and carve it to the right shape.

You can source cured/dried Maple machined bridge blanks from China (Ebay) for next to nothing, I had 4 delivered for $AUD13(2017). The slow boat from China to Australia is around 3 weeks, so you have to plan ahead. I figured 4 should be enough, gives me the chance to break 3 first :-)

Sally over at gets two thumbs up for her very thorough tutorial of how to do it. From her many pictures and discussion you can tell she's an experienced craftswoman, whereas I'm an engineer, so I simplified things a bit. There's no point in me recreating her tutorial, go check it out, I'm just going to talk about the different hacks I used, given that I have only basic tools, a modicum of handworking skills, and some basic understanding of what we are trying to achieve.

First up, to get the feet of the bridge to mate to the face of the cello, I used sandpaper. Place sandpaper on the face, hold the bridge on sandpaper, move slightly back and forward in the area the bridge will stand. This seems very sensible to me, rather than carving the feet to attempt to match the face and constantly checking how you are going.

A leg spreader may or may not be absoltely necessary. I made one out of some bolts and scrap metal with my arc welder and angle grinder. When fitted, the pressure of the strings will push the bridge legs outwards, so pre-spread the legs by around 2mm, sand the feet to mate to the face while spread, then when it's all back together the feet will be a perfect match to the face. I don't think this is really really necessary, I think it is better to do it, but I think you'd be fine without spreading. One of the main reasons I made it is so I could show it to my wife and say "Normally you'd just use a bottle of wine..."

The bridge comes as a blank, you need to remove wood until it is the right shape. Proper luthiers carve carve carve the bridge to shape using knives, planes, chisels. I had a crack. Dried Maple is harder wood than you'd think. My knives, planes and chisels are not top quality, it was hard going. However, angle grinder and die grinder loaded with sanding disks make it really easy going. You can find the dimensions for the right shape with internet searches, but some depend on the installation.

For instance I particularly liked Sally's approach of first getting the feet fitted to the face, installing the bridge straight away although waaay to high, putting the strings roughly in place, measuring the string height at the end of the fretboard, subtracting that from the desired string height, placing a template on the bridge in that position, and cutting off the excess with a jigsaw. Genius.

I fitted the bridge several times, sanded it down some more to get the string heights rights, it was tedious. The last time I took too much off on the high string, I was impatient. Moral there is don't be conservative to start with, because you will get annoyed and be less conservative to end with and stuff it up. Measure twice, cut once. I ended up having to glue a small piece of wood back on. Don't do that.

Another good tip I found on the internet was rather than gluing some parchment on the top where the strings go - or doing nothing at all - just put a dob of superglue there and let it soak in. It dries rock hard, strings slip past it nicely and won't cut into the wood.

I fancied up the look with a knife, took the excess wood out with my die grinder and wrote my initials on it, you can see the difference between the blank and my finished product in this photo. It took me the better part of a day from start to finish, but I learnt a lot. I would imagine if I ever had to make another it would take me around 2 hours.

Another skill added to the list. Don't be afraid to try it if you are in the same predicament as me - and violins, violas, cellos and double basses are all similar. Read Sally's tutorial, watch a few youtube videos, and use some of the hacks I mentioned here. Good luck out there!


  1. Thanks -- this is great. I had been reading the article at Triangle Strings and trying to simplify it a little, this is very helpful. Fitting the bridge on my washtub cello is still a couple of steps away for me, first I've got to cut the neck and fit it to the bucket which will probably take until way into September --

  2. Hi, your bridge profile on the image of the final and blank, is really low, does it help with the sound and comfort of playing?

    1. It only looks low - it's all about the string to fretboard distances. If you have that right then it is right.

      My daughter plays the cello with this bridge, she hasn't complained and it sounds nice, even right up the fretboard on the A string. One teacher commented on it - I think the way I made it looks quite different to normal bridges - she said that it looked good and played nicely. That made me feel better!

  3. Hey Jawmunji, I love your comment that getting someone else to do it isn't very JAW-like. I'm the same. The neck broke off my daughter's cello when the hard case it was in fell over. So rather than taking it to a luthier, it repaired it myself. In the process I noticed the the bridge is significantly bend forward at the height of the heart. My daughter said "that's ok I have a spare" and presented me with a blank. (Not what I was expecting, since I know nothing about cellos). So I too found Sally's article and got inspired. As the fingerboard is slightly crooked on the cello (not due to my repair!), I will have to adjust the leg lengths as she describes. I am very excited to craft the new bridge, I'll send you and her a photo once I'm done. Regards Toby

  4. Thank you so much for you post and encouragement. I too is an engineer who is somewhat handy with tools. Cutting my third bridge tomorrow. The first two were done using cheap ebay bridges. Now I am ready to use a decent blank..hopefully will make a difference in terms of sound quality.

    Next week, I am cutting another one which will be for my cello instead of my son. This one is a Belgium bridge instead of French. Unfortunately there isn't much information available out there.