Monday 25 September 2023

What's happening September 2023

Playing for an hour in the lunchroom on a Friday every week is a useful pursuit - it ticks several musical boxes:

  • There are people listening - okay mostly having lunch and not looking at you - but you naturally want to play your best;
  • Nobody likes a half song playing guitarist so you play a song from start to finish, even if it is just an improvised few verses and choruses and omitting the solo;
  • It's just you and a guitar, no sheets music, no gear. Everything has to be memorised and all the sound tone comes from your own two hands;
  • You don't want to just play the same 10 songs every week, so you are constantly developing new arrangements and dusting off old material;
  • You are reinforcing and normalising society with music. Yeah, this is more abstract, but us humans have a deep emotional connection with music which needs to be nurtured. There is a big difference between streaming music phone-to-headphones and someone sitting there, right there, playing music. I'd like to see more live music in society, and more people recognising live music as normal.

So while playing a few weeks back one of the admin staff came in and had a chat. The company was having a family day, and they were thinking of hiring a band, but then they thought "why not just ask our resident guitarist?" Heh. They called me their "resident guitarist". How could I say no to "resident guitarist"?

So for two Sunday afternoons I set up my "playing out" kit - the Esteve, my Behringer Eurolive B112D Public Address speaker sitting on top of a stand to get it up to ear level, my Zoom effects pedal for some reverb sound shaping and a couple of instrument and power leads. It all fits on a fold up trolley so I can do one trip from my car to the venue.

Both Sundays I played 2.5 hours, no repeats, both sessions I got the the end and there were still a few songs I wanted to play! I was quite pleased that my repertoire is still quite extensive - sure, a few songs had rough patches were my brain blanked out and I had to percussively strum a few open chords and hook back in to a verse or chorus - but it wasn't awful.

At an event like that with lots of people walking by you get a chance to say "thanks" and smile and nod while you are playing, and a few people will stop and chat. It's nice.

I wasn't quite getting the tone I was after, there is a a bit too much resonance/boom/chatter on the low E string. That might suit some songs that sit on a bass guitar driven sound, in fact it was cool for that, but for a general pop song it was out of balance. I couldn't fix it on the spot, that's something I will need to look at.

Meanwhile, I have continued to dust of some old favourites. Particularly the difficult songs, like "Something", "Whiter Shade of Pale" and "Goodbye Yellow Brick Road". Wow there is a lot of chords in them, and the different inversions up the neck. I can think in terms of open chords/cowboy chords, but I haven't mastered the neck for everything. If I could send something back to Past JAW it would be "spend a bit more time mastering the chord locations on the neck". There are plenty of chords inversions up the neck I do know, that come natural now, but not everything I need. So quite often when I'm playing a song where the melody has taken my up the neck, I'm completely winging it from muscle memory - I don't actually know what I'm doing... It's okay, means there is still plenty to learn!

Keep playing, keep practising. As I said recently to a coworker who has a guitar but is struggling to stay motivated: "Play 5 to 10 minutes every day rather than an hour a week - so keep the guitar on a $20 stand in the middle of your living room so you can't ignore it. Sure learn from youtube or a book the stuff you need to know, but also learn fun stuff that that attracted you to the guitar in the first place. Check in with a guitarist from time to time to make sure you aren't doing anything silly. And learn to might sound confronting and out of your comfort zone, but once you can change smoothly between 3 chords you have about a million songs at your fingertips, but only you will recognise them unless you are singing them."

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