Saturday 3 July 2021

Fingerstyle Arrangement Dynamic Balance

I follow a number of fingerstyle arrangers, and I do tend to focus on cover arrangements, particularly pop and rock classics. It is interesting to see other's takes on songs, and always interesting when they cover the same songs I cover.  I get so many extra ideas to throw back into my arrangements!  But sometimes I see a cover and I just can't get into it, and it largely comes down to, for want of a better term, dynamic balance.

First up I'm self taught so I have zero musical credibility; this is coming from my ear. Dynamics are how we get that extra edge of emotion into our playing, sets us apart from the robots, and that's good! But dynamics have to be balanced. A song, say, "Smells Like Teen Spirit" has clear dynamics - there's a quiet section, then there's a thrashy section. Your fingerstyle arrangement should capture that. But sometimes I see dynamics that shouldn't be there. An example would be playing a part of a song with a pick (euw) and then the next part with your fingers...unless there is a call for extreme dynamics you shouldn't do that to keep the song balanced.

I recently saw Gabby Quevedo cover "4 Non Blondes - What's Up" and she did some strumming then played some fingerstyle, sorry, it didn't work for me! It put the song dynamically out of balance; putting dynamics where there shouldn't be.  See it here Gabby does great arrangements so this one surprised me. Phil Jakes does similar "unbalanced" arrangements from time to time and even the unstoppable arranging legend Kelly Valleau does too. I've seen it elsewhere so it's probably just me, I've done it myself once or twice and never been happy with the result.

I'm not sure if I'm explaining myself very well here, what do you think?

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